Material prosperity creates an appearance of satisfaction and comfort, yet it cannot provide genuine, deep happiness. As noted, even with substantial means, a person often loses the capacity to feel inner fullness because their attention shifts from life’s values to superficial external attributes. One source states:
Increasing material wealth can lead to an increase in internal anxieties and concerns for several interconnected reasons. First, according to I.A. Gundarov, the growth of well-being automatically stimulates an increase in life’s needs. In tandem, as one’s material condition improves, expectations also rise, so that even with better external conditions, there is a growing sense of dissatisfaction and a decline in the subjective quality of life. As noted in his discussion:
Emotional reactions such as anxiety and fear of the unknown are heightened in states of anticipation, because when we lack a clear picture of the future, our minds prepare for the worst-case scenario, and the ambiguity only intensifies the sense of threat. This is manifested through several mechanisms reflected in the provided materials.
Answer: Psychological factors, such as depression, low self-esteem, and anxiety disorders, play a key role in the development of self-destructive behavior. A depressive state is often accompanied by high levels of anxiety and a sense of hopelessness, which may push a person to choose self-destructive strategies in an attempt to alleviate emotional pain or cope with tension. Low self-esteem further complicates the situation, as the individual begins to see themselves as unworthy of care and support, leading to risky decisions and negative behavior towards oneself. Additionally, anxiety disorders, which cause constant nervous tension, exacerbate depressive symptoms and contribute to the escalation of destructive impulses.
Poetic and artistic interpretations convey the duality of the night, where darkness and moonlight simultaneously awaken fear and wonder in the face of the unknown. The night emerges as a realm in which dark hues and shifting silhouettes symbolize not only the terrifying unknown but also the deep, almost sacred beauty of the mysterious. In these depictions, the aesthetics of the night serve as a conduit to different levels of perception: on one hand, as a source of unsettling and overwhelming sensations, and on the other, as a space where the feeling of mystical depth and inexplicable allure intensifies.